A Few Trailers

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BLACK SWAN: I mentioned this one a couple of posts back as being one to really look out for. Aronofsky's latest feature looks, judging from this brand new first trailer, like it will contain elements of his past work while building on that by taking in aspects of David Lynch (the trailer seems to have a very Mulholland Drive-feel to it). He looks like he hasn't done away with his visual stle or shaky camerawork either, which is good to see. Vincent Cassel as the dance instructor looks like an inspired bit of casting, and could this finally be Natalie Portman's true awards-baiting perfomance, after going 'close' with Closer? That last image is in equal parts intriguing and disturbing. Here's the trailer for it- http://trailers.apple.com/trailers/fox_searchlight/blackswan/.

- THE NEXT THREE DAYS: This one basically revolves around a man, John Brennan, whose wife is arrested for a murder that she denies committing, struggling to cope three years into her sentence. He decides (of course...) that the only possible solution is to bust her out of jail. It sounds a bit stupid, and the trailer makes it look a little stupid too. Which is a shame, as the talent involved, including director of Crash and In The Valley of Elah Paul Haggis and star Russell Crowe, suggested otherwise. There may of course be a lot more to the film than the trailer suggests, as trailers have a habit of making some films look more silly and action-based than they actually are in their entirety. However- this still looks ridiculous. Trailer here- http://www.imdb.com/video/imdb/vi2430141977/.

- STONE: An interesting one this. The initial trailer for Stone looked promising, and it has garnered some very positive buzz recently, having been selected to open this year's Chicago Film Festival on October 7th. Directed by talented indie director John Curran (The Painted Veil, We Don't Live Here Anymore) and starring Edward Norton, Robert de Niro and Milla Jovovich, the film follows a convicted arsonist (Norton) who looks to manipulate a parole officer (De Niro) into a plan to secure his parole by placing his beautiful wife (Jovovich) in the lawman's path. After years of appearing in utter rubbish and totally not living up to his role as the world's greatest actor (officially) in the 70s and 80s, this may, just may, be the return to form that Robert De Niro so desperately needs. Early reviews have proved extremely positive about his performance, one reviewer calling it 'his best performance in a decade'. Ok, that may not be too hard, but it does look like the kind of risky, edgy role that the man used to thrive upon. And my love for Edward Norton knows no bounds. Though I'm not too sure about those cornrows. Stone has been described in these early reviews as 'unexpected and brilliant', and looks like it could, if all is done well, provide awards voters with something to think about in a few months' time. Trailer here- http://www.imdb.com/video/screenplay/vi1927808537/.

- E4.com has released a short prequel video for the third series of The Inbetweeners. Looks likely to be just as funny and obscene as the previous two series. Watch it here- http://www.e4.com/video/BnIn0XZUZltpTMaUWa4VVF/play.e4

- Should be seeing Scotty P on Wednesday. May post a review up here!

Facebook, Tattoos and Beards

'You've got blood on your hands
And I know it's mine
I just need more time
So get off your low and let's dance like we used to
But there's a light in the distance
Waiting for me, I will wait for you
So get off your low and let's kiss like we used to'
WHITE LIES - UNFINISHED BUSINESS


- So where was I? Ahh yes, trying to kickstart my career. Well I've come up with what I think is a relatively good idea for a short film and have begun work on the script for it so we'll see how that goes. Once I have a script I am pleased with for it I can storyboard it and begin thinking about locations, and the chance of coming across an actress who will hopefully be rather good. I'm also in rather desperate need of a film microphone before I start work on that so if anyone has the £100-200 needed for it spare then I'd be very grateful! I'm still working every so often on my summer film with my friends. Hopefully something decent-ish will come out of that- there's definitely some bits that have worked well and that have provided me with some great ideas I can use in future projects. Oh yeah, and I got offered the chance to be an extra in Captain America... but I had to say no! Was given too short notice to work out a way of getting there etc which is a bit gutting, but hopefully something equally exciting will come my way soon. The idea of being an extra in something is rather appealing, as it will give me the chance to experience being on a set, to possibly build up some contacts, to earn some really quite good money... and also just to say I have! So we will see if anything comes along.

- Though the trailer for it came out ages ago, I feel the need to write a small bit about the upcoming new David Fincher film, The Social Network. The trailer can be found here- http://www.youtube.com/watch?v=EnamMtQs1fI&feature=related - and do watch it, because it's a genuinely awesome trailer, with an orchestral version of Radiohead's Creep and all! Now, when the announcement was made that there was going to be a 'Facebook movie', there was, rather understandably, some snorts of derision. Just how was that going to work? Surely it was going to just be a disaster, some attempt to appeal to the younger tween users of Facebook, another poorly-conceived teen flick. Then it was announced that Aaron Sorkin, one of the most respected scriptwriters in Hollywood and known for very political works, having written the TV show The West Wing and film Charlie Wilson's War, was to write the screenplay for the film. More details were released, informing us that the film was to focus on the creation of the website and the legal and social troubles that this led to for Facebook's makers. Then David Fincher, arguably one of the finest directors of the last twenty years, having worked on films like Fight Club, Seven, Zodiac and The Curious Case of Benjamin Button, was announced as the director of the film. Suddenly people began to take notice. Up and coming indie actors Jesse Eisenberg (Zombieland, Adventureland) and Andrew Garfield (Lions for Lambs, The Imaginarium of Doctor Parnassus) were brought in as the main characters Mark Zuckerberg and Eduardo Saverin respectively, as well as Justin Timberlake, who is steadily becoming a real talent in the acting world. Trent Reznor, frontman of Nine Inch Nails and an incredibly talented and respected musician, signed on to score the film and described what he had seen of it as 'amazing'. And then this trailer came out, promising a rather dark and intense portrayal of money and fame. As the tagline puts it, 'You don't get to 500 million friends without making a few enemies'. In an era so obsessed with the social networking craze, the film's release couldn't be more relevant. Definitely one to watch, The Social Network will be out in the UK on the 15th October this year.

- While on the subject of David Fincher films, his latest film, currently in pre-production, is causing quite a stir in Hollywood. After weeks and weeks of fevered speculation about who would play the lead female character Lisbeth Salander in Fincher's remake of Swedish thriller The Girl With The Dragon Tattoo, with names like Kristen Stewart, Natalie Portman, Ellen Page and Emma Watson being bandied about, it was finally announced today who had landed the much-coveted role. The task of trying to match Noomi Rapace's masterful performance in the original is relative unknown Rooney Mara, a 24 year old American actress who has previous with Fincher having worked with him on The Social Network. The actress may also go on to star in the two later parts of the 'Millennium Trilogy', The Girl Who Played With Fire and The Girl Who Kicked The Hornet's Nest, based on the bestselling books by Steig Larsson. I look forward to any film Fincher is going to put out, though it still seems a strange decision to remake a film released so recently (the Swedish original came out in the UK just 5 months ago), and one perhaps simply for the lazy people who refuse to watch a film with subtitles. We will have to reserve judgement, however, as Fincher's film may differ greatly from the original, forming a brand new take on Larsson's book. The film will also feature Daniel Craig and Robin Wright. The most bizarre news coming out with regards to this film is that Fincher intends to shoot the film in Sweden (fair enough, but wait), with the actors all playing their roles with Swedish accents. Which, in fairness, could work out fine. It could probably be more likely to be a disaster. Unless the actors involved have a near-perfect grasp of the Swedish accent then it could begin to look a parody and become rather offensive to Swedish people and Swedish fans of the original. It is difficult to imagine Fincher rolling the cameras on this film until he is entirely happy that his actors can pull this off, however, and I still trust him to craft a dark, thrilling, character-driven work that does justice to the original. The film is currently slated for a Decemeber 2011 release, with filming due to begin next month in Sweden.

- In my last blog I briefly discussed Casey Affleck's documentary (mockumentary?) about Joaquin Phoenix, entitled I'm Still Here. The teaser trailer for said film has just been released, at http://www.empireonline.com/news/story.asp?NID=28672. Give it a watch, because it looks, if nothing else, intriguing. There is still no giveaway as to whether Phoenix is for real or whether this is all part of an (incredibly) elaborate hoax, but from watching this trailer I actually at times get a sense of... Borat? With a slightly darker voiceover. The film will be released in the US on September 10th but has yet to receive a distributor over here, so we may still have to wait a while to see if the man really is crazy or not. The beard certainly is.

- After much success there with his Oscar-winning Slumdog Millionaire, Danny Boyle is returning to the London Film Festival after his latest feature 127 Hours was selected to close the 2010 Festival. The film, based on a true story, tells of how 'a mountain climber becomes trapped under a boulder while canyoneering alone near Moab, Utah and resorts to desperate measures in order to survive' (IMDb). Without going into too much detail, the climber Aron Ralston, after 5 days trapped and alone up a mountain, must summon up the quite incredible courage to extricate himself from the boulder. Played by James Franco, the film spends the vast majority of its running time focused completely on him and his ordeal, in much the same way as another film released in the coming months- Buried, starring Ryan Reynolds, spends even more of its time entirely on this man who has found himself buried alive with nothing but a mobile phone for help. These sorts of films are intriguing, trying as they do both an audience's ability to stay focused and interested on one none-too-changing image for such a vast amount of time, but also the performance skills of the main actor involved, seeing as the films must rest so heavily upon their shoulders. 127 Hours is due out in November, while Buried is scheduled for an October release.

- MASSIVELY looking forward to Scott Pilgrim's release. Early reviews have been fantastic, though it hasn't made as much money in the US so far as hoped so us Brits need to do some good for it! Released here August 25th.

- Listening to... Chase and Status, Something Corporate, Broken Social Scene.
- I watched The Dark Knight last night and was reminded of just how damn good it is. Still the king of superhero movies and can't see that changing for some time!
- There are far too many gigs I want to go to at the moment. But Chase and Status and Alexisonfire, both playing Portsmouth Pyramids at different points in November, are both musts.

This And That #2

A list of a few things that happen to be on my radar right now:

- I have decided it is about time I got off my arse a bit and started trying to kickstart things a bit film-wise. Try and build up some contacts and such. What I will be aiming to do over the next couple of months is writing, filming and editing a couple of short films so I can add this to my CV, and also if I feel confident enough about them after making them there is always the possibility that I could send them off to local and national short film competitions and festivals in order to try and gain some further recognition. Basically I just want to have a bit of fun, film some things that are going to inspire me and that I can involve the people around me in, and see where it all goes. I have a couple of good script ideas in my head for feature films too so I want to set aside some time to do some serious screenwriting as well. Finally, I'm going to join some film extras sites this week in the hope of getting some extras work or even work as a runner on a film set. I may never be seen on the camera, I may be paid mere pennies but it would be film credits and something to put on the old CV and this is what I need! So it's all pretty exciting and I'm hoping that the future is bright!

- The line-up for this year's Venice Film Festival, running from September 1st-11th, was released recently and promises exciting things. The festival is to open with Darren Aronofsky's Black Swan, which is receiving some extremely positive early buzz. I'm a massive, massive fan of Aronofsky as a director so am eagerly awaiting this new release, which sounds as beautiful and bizarre as much of his other work. Aronofsky has tasted both success (The Wrestler) and failure (The Fountain, which I still loved) at Venice, so it will be interesting to see which way this one goes. Starring Natalie Portman, Mila Kunis and Winona Ryder, the film is, according to IMDb, a 'thriller that hones in on the relationship between a veteran ballet dancer and a rival'. Black Swan looks likely to build on Aronofsky's penchant for the dark, the weird and the controversial, and will deal with the issues of strong rivalry and jealousy. Looking forward to a trailer for this one.

The festival will also feature Sofia Coppola's latest, Somewhere, which looks like it will bear some thematic similarities to her previous work Lost in Translation. Trailer- http://www.youtube.com/watch?v=vvSspY7WU10. New films from Vincent Gallo, Julian Schnabel and Takashi Miike are also included in competition. Out of competition, the two most notable entries come from the two Afflecks. Ben's second feature film as director, coming after the quite brilliant Gone Baby Gone, is called The Town and looks like a similarly intense Boston-set crime thriller. Casey, meanwhile, has made what may well prove to be the most interesting film of the festival- I'm Still Here: The Lost Year of Joaquin Phoenix. So little is known of this film, in which Casey follows his brother-in-law Joaquin around for a year following his decision to quit acting and pursue a music career (and grow a quite incredible beard), that it could end up being a real surprise package. Is it a straightforward documentary, or a mockumentary? Is Phoenix for real with the beard and the weirdness and the rap career? Whatever the truth may be, I'm Still Here is going to be an odd but intriguing watch.

- While on the subject of festivals, One Hour Photo director Mark Romanek's new feature Never Let Me Go has been selected to open this year's London Film Festival. The film includes the incredibly talented and much hyped British duo Carey Mulligan and Andrew Garfield (the new Spider-Man) as well as the more well-known Keira Knightley. Fox Searchlight Pictures provide the following synopsis- 'As children, Ruth, Kathy and Tommy, spend their childhood at a seemingly idyllic English boarding school. As they grow into young adults, they find that they have to come to terms with the strength of the love they feel for each other, while preparing themselves for the haunting reality that awaits them'. Never Let Me Go looks an interesting one- a film to keep an eye on for sure, it's due out in the UK on the 14th January 2011. Watch the trailer here - http://www.youtube.com/watch?v=kymQcM4ej3w

- http://www.youtube.com/watch?v=T2MhYgWBjTo The Avengers teaser showed at Comic-Con has been released. The teaser shows absolutely no footage from the film (unsurprising seeing as the cameras haven't stsrted rolling yet) but does feature the cool tones of Samuel L Jackson's unmistakeable voice and the Avengers logo.

- The new Skins cast for series 5 and 6 of the show was announced the other day- http://www.e4.com/skins/series5/pictures/cast-reveal.html. The '3rd generation', as they are being referred to, will consist of 8 new characters, 4 guys and 4 girls. They all, unfortunately, look a little on the dull side. Nothing to set the world alight. I've heard many others voice similar concerns. Of course all we have to go on so far is a picture of each of them and a very short note by each actor/actress (one of the new recruits, Dakota Blue Richards, was the star of the movie adaptation of The Golden Compass). We know nothing of the characters themselves, so I could easily yet be proved wrong. I still, however, hold higher hopes for the planned Skins movie, which is set to feature characters from the 1st and 2nd generations.

- Marmaduke, Cats And Dogs: The Revenge of Kitty Galore, Step-Up 3-D and Grown-Ups. What the hell is happening to the cinema?

- Listening tooooo.... The Gaslight Anthem, The Rocket Summer, Ash's A-Z Volume 1 album and Chicane.

Comic-Con 2010

This year's massive Comic-Con event took place between Thursday 22nd July and Sunday 25th July, held, as ever, in San Diego. Over the four days a whole showcase of panels presenting upcoming, much-anticipated movies took place, entertaining thousands of eager film geeks. I am just going to talk a small amount about the films that most grabbed my attention.


SUCKER PUNCH

I already mentioned this as one that particularly stood out to me this year. Maybe it's just the hot girls. But it looks like it will be a whole lot of fun, even if it doesn't really make much in the way of sense. I'm interested to see how Snyder will deal with an all-girl cast having worked with predominantly male casts before on both 300 and Watchmen. It will be especially interesting to see what kind of a performance he can muster from, say, Vanessa Hudgens, who is certainly untested in a more meaty dramatic role. But then if Zac Efron can make the transition from High School Musical to an effective and well-respected performance in a more dramatically challenging role (Me and Orson Welles), then there is nothing to say Hudgens cannot do the same. It will remain to be seen how the cast work as a cohesive unit, each of them having such different acting backgrounds. Of the lead females, only Carla Gugino has any real experience of working on a stylized action film. Speaking of style, a criticism often thrown at Zach Snyder is his predilection for style over substance. The Sucker Punch trailer has probably not done a lot to silence these critics, but we will wait and see. One thing seems sure, that this film will continue Snyder's knack for remarkable and innovative visuals. Whether there will be enough meat to chew on underneath that is something we will discover on March 25th 2011 when the film is released.


CAPTAIN AMERICA

My big concern with this film is Chris Evans as Steve Rogers, The First Avenger, Captain America. I know I may be proved wrong, but I simply don't think he is the right choice for the role. He was enjoyable as The Human Torch in the two fairly awful Fantastic Four films, but he was predominantly the comic relief in those films and hardly showed any truly impressive acting ability. He was better in Sunshine, but this was again as part of an ensemble piece. I'm just not sure of how capable Evans is going to be as a leading man, having to deal with the dramatic material as well as the witty one-liners. Of course, he could easily prove me wrong. I don't agree with a number of fans who have voiced concerns over him playing both Captain America and The Human Torch. Let's face it, most people have already forgotten that those two films even existed. I think the majority of audience members will go in ready to accept Evans as Steve Rogers, until proved otherwise. I do also like the supporting cast, including as it does Samuel L Jackson (as Nick Fury), Hugo Weaving (as The Red Skull), Tommy Lee Jones, Dominic Cooper and Stanley Tucci. So we will see! On the 22nd July 2011 in fact.


THE AVENGERS

Seeing all the cast members of The Avengers up on one stage together must have created one almighty geekgasm. In fairness, I was impressed myself. They do look good together. The anticipation for this film borders on the ridiculous. Bringing together the collective brains and brawn of Robert Downey Jr (Iron Man), Chris Evans (Captain America), Mark Ruffalo (The Hulk), Chris Hemsworth (Thor), Scarlett Johansson (Black Widow), Jeremy Renner (Hawkeye) and Samuel L Jackson (Nick Fury), this could well be the comic book movie to end all comic book movies. It could also, equally, be a disaster, very much a case of too many cooks spoil the broth. What keeps me positive about this film's success is the sight of another man up on that stage. Joss Whedon. A massive film and comic book geek himself, Whedon knows what the fans want. He is also, quite simply, a fantastic director. You can clearly see and hear just how much this job means to him, and how much he wants to do it justice. And in his hands The Avengers may well be the movie event of 2012.


SCOTT PILGRIM VS THE WORLD

My most eagerly anticipated film of the next couple of months. I've read some fantastic early reviews on Twitter from people who attended the premiere. Hilarious, and with great fight scenes too. It will be nice to see what looks like a return to form for Michael Cera, who has dipped recently into a bit of a typecast. It will also be fantastic to see Edgar Wright be provided with the money and scale that his directorial talents so deserve. The story looks great, the visuals great, the humour great. Dealing with, essentially, Scott Pilgrim's (Cera) quest to defeat his new girlfriend's seven evil exes in order to win her heart, this could be a complete winner. Out in the UK on the 25th August.


GREEN LANTERN

Though never a comic book or character that particularly caught my attention, Green Lantern is still a film that I will keep my eye on. I especially like the casting of Ryan Reynolds as Hal Jordan. As the sharp-tongued Deadpool, he was easily the best thing about X-Men Origins: Wolverine, and it will be interesting to see him turn his attentions to another superhero character. IMDb pointed out a sweet exchange at the Comic-Con event where a young fan went up to Reynolds, who recited the Green Lantern oath to him while they each held up their power rings. Incredibly geeky, I know, but it shows just how much this means to Reynolds and how much he is likely to put into his performance. Plus, he's probably just provided that kid with the highlight of his young life. Green Lantern is due out on the 17th June 2011.


Honourable mentions should also go to TRON LEGACY, which comes 28 years after the original Tron film and which brings up some interesting discussions about modern film technology (which I may talk about in a later blog), featuring as it does a 30 years-younger Jeff Bridges, thanks to the wonders of motion capture.

Also, Jon Favreau's COWBOYS AND ALIENS< which features Daniel Craig, Harrison Ford, Sam Rockwell and Paul Dano, and revolves around the very clash stated in the title. In the comic book film anticipation stakes, THOR ranks pretty highly. Released in the UK on 20th May 2011, the most intriguing thing is possibly the director Kenneth Branagh. Known mainly for Shakesperean dramas it will be very interesting to see how he handles such a big-budget Hollywood blockbuster. The film also has a solid supporting cast consisting of Natalie Portman, Anthony Hopkins, Kat Dennings, Idris Elba and Stellan Skarsgard.

This And That #1

'My friends are a different breed,
My friends are everything'
ALL TIME LOW -- VEGAS


First of all, a quick plea to anyone who actually reads this to sign the following petition- http://www.gopetition.co.uk/petitions/save-the-uk-film-council.html
The culture secretary Jeremy Hunt (too easy...) has made the terrible decision to axe the UK Film Council, which receives around £15m in annual funds to provide much needed finance boosts to young British filmmakers looking to get their projects off the ground. The UK film industry is in enough trouble without this latest blow, and this decision could result in a large number of talented and creative individuals being unable to see their visions brought to life on the screen. It takes less than a minute to sign the petition and it could have a massive impact, so please do!

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I feel like I should mention my night out last night, which was pretty spectacular and which has resulted in many people's desperate attempts to piece together the events of said night today. All my friends together, drunk as hell, dancing away- that's life at its best. It has been an age since I can last remember everyone out, like everyone, ridiculously drunk, really going for it and not caring about money issues or anything else. It was happy and it was summery and it was very good times. Best night out of this summer so far I say! Some fantastic stories to be told. Much to remember, and much to try and remember.

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One of my most unexpected delights to come out of this week's Comic-Con is the new film from the director of 300 and Watchmen, Sucker Punch. Zach Snyder's latest stars the all-girl main cast of Emily Browning, Vanessa Hudgens, Abbie Cornish, Jaime Chung, Jena Malone and Carla Gugino and looks like it could be a bizarre but yet rather brilliant slice of pie. Snyder's own short synopsis of the film reads as thus- "Set in the 1950s, it tells the story of Baby Doll (Browning), who is trying to hide from the pain caused by her evil stepfather and lobotomy. She ends up in mental institution in Brattleboro, Vermont and while there she starts to imagine an alternate reality. She plans to escape from that imaginary world but to do that she needs to steal five objects before she is captured by an unknown adversary. She has 5 days to escape before being lobotomized. In order to cope with the situation, she enters the hyper-real world of her imagination, and the lines between reality and dream begin to blur. She is joined with friends who are inmates from the institution. Lessons learned in the said fantasy world could help the girls escape their real-world fate."

The trailer has just been released to the world and can be seen here - http://trailers.apple.com/trailers/wb/suckerpunch/. The film is definitely one to look out for and seems likely to build on Snyder's reputation for dazzling and innovative visuals. It is also Snyder's first film from original material (his own script). Plus, it has dragons. Freaking dragons man! I may, in a few days' time, include a more detailed post about all that interested me from this year's Comic-Con.

Light and Sound

'All the crazy shit I did tonight, those will be the best memories, I just wanna let it go for tonight, that would be the best therapy for me'

A few years ago, before turning eighteen, the idea of dancing, or 'getting my freak on', or 'getting my ass down' or 'busting some moves', would probably have filled me with dread. Getting introduced to the world of clubbing certainly changes all that. I remember the first time I ever walked into a club, about a week or so after I'd turned 18, and feeling so ridiculously grown up. I suppose it was my first time in an 'adult place', somewhere that was exclusively for adults- that felt pretty damn exciting. Drinking and dancing in the same place as all these 'proper adults', in this big place that blinded me with light and blasted me with bass fuelled sound. Now, just two years on, I feel like one of those 'proper adults' looking down on all the young uns taking over my clubs! Times change, but I still very much love the feel of being completely wankered, on a dancefloor, with all my friends. I can't imagine that ever changing.

Not that I'm now claiming that I'm some seasoned dancer and show it. I'm fairly sure we still all look like complete bellends on dancefloors. Just slightly more confident bellends now! This of course isn't a bad thing. You get your good bellends in clubs and your bad. You don't want to be taking the whole thing too seriously- then you look like a bad bellend. That comes with confidence, and confidence that alcohol alone can't give you. You have to be prepared to just go out and have fun, to just not care. Let's face it, that's the beauty of clubbing for people. A night of fun and not caring, usually after a week of stressful work or uni. I like to think we do the whole having fun and not caring well. That gets better and better over time.

Summer nights are always the best by far. It's difficult to explain why. You can just sense a better mood, amongst your friends, amongst the whole club. A real shared emotion throughout the crowd. Everyone's there for the same reason as you, and that's always a nice feeling. It's a similar feeling to one I get at gigs or at parties. Just knowing that everyone is there to have a fun night and be happy and be drunk and have some great memories (or not depending on how much you drink!) by the end of it. That moment in a club when everyone, gathered together, drunk as hell, hears a song they instantly recognise; could be an old classic, could be a big dance tune, could be a new chart entry or an indie singalong, it will be one that unites everyone in a big old song and dance. Those are moments that definitely stick in the memory no matter how much you've had to drink.

Nearly 3 years of clubbing have brought about many many many memories like those. I feel like I need to be making the most of it all while I'm still young. These are the times to enjoy. It's changed my tastes in everything. My taste in alcohol- I used to love lager, now I prefer things like vodka red bull and VK's. My taste in music- I used to hate dance music and all chart music, and now I rather love dance and even buy Ministry of Sound CDs and DJ's albums. My taste in clothes- it has provided me with an insane love of shirts and dressing up smart. The list goes on. Long may the good times continue!

Bring on London (MoS/Fabric?) for my birthday and Ibiza in, hopefully, the near future!

'These are the good times in your life
So put on a smile and it'll be alright'

The Runaways

'Dead end kids in the danger zone
All of you are drunk and stoned'

THE RUNAWAYS (Released August 26th 2010, UK)
Dir. by Floria Sigismondi
Starring Kristen Stewart, Dakota Fanning, Michael Shannon

The Runaways were an all-girl teenage rock group formed in LA in the 1970s and have now become the subject of a new film by Floria Sigismondi in her first major feature. The band had a short career, spanning from 1975 to just 1979, but released 4 albums, had a number of hits and toured all over the world. The film covers this career from the very formation of the group as producer Kim Fowley introduced rhythm guitarist Joan Jett to drummer Sandy West, both of whom had approached him with the idea of creating an all-girl group. And the rest, as they say, is history.

With an influx of musician biopics (Walk The Line, Control et al) over recent years it is perhaps tough for the latest in the genre to avoid the standard formula set forward by its predecessors. While The Runaways doesn't necessarily avoid this structure, it is set apart by the interesting issues it raises with regards to feminism in the 1970's. In many ways the film could be seen as a representation of 'girl power', of a group of young women making their voices heard and making their mark upon a male-dominated market. The band were, in this respect, hugely influential, encouraging a generation of girls to pick up electric guitars and immerse themselves in the practice of rock and punk genres.

But the film has its dark side, and does not completely shirk from presenting the exploitation of the band and the dramatic effect it had upon relationships within the group. Fowley, while undoubtedly a talented music producer, was seen by many as a monster and stories have emerged since about the extent of the verbal and sexual abuse the band suffered from him. Credit to him, he provided the group with everything they dreamed of musically, but in order to encounter such success Fowley exploited the gender of the group, sexualising girls perhaps too young to fully deal with the inevitably very adult effects of being a sexual symbol. This was particularly difficult for lead singer Cherie Currie, thrust headfirst into a grown-up world, and eventually led to her alienating herself from both Fowley and the rest of the band.

The film is based upon Currie's memoir 'Neon Angel' and thus hers is the only family backstory we are provided with. Currie's is undoubtedly the saddest story; she seemed so unready for the adult world and was therefore the one so easily exploited by it. Dakota Fanning is an absolute revelation in the role, building astonishingly upon her younger roles in, amongst others, War of the Worlds and Man on Fire. While her earlier performances were strong they also on occasion invited irritation amongst audiences, her bug-eyed cuteness adding a little too much sugar to dramatic films; there is no such problem here, Fanning providing a very real portrayal of a young woman losing her innocence. The girl has most definitely grown up. Kristen Stewart, meanwhile, invests her take on Joan Jett with a wonderful sense of teen rebelliousness and punk attitude, capturing Jett's swagger and natural boyishness. Stewart is becoming steadily, film by film, a young actress of genuine talent. The Runaways is another example of just what she can bring to a role more compelling and better written than that of Bella Swan, and may even be her most assured performance thus far.

With the band experiencing such an eventful 4 year career it is only necessary and expected that the film can only deal with so much. It can perhaps, therefore, be forgiven that so much emphasis is placed on Currie and Jett and so little on the other band members. Badly written though they may be, it is quite understandable that the filmmakers decided to focus on the two biggest personalities and in Fanning and Stewart they have two actresses perfectly capable of bringing them to the big screen. The film also skirts over some of the more scandalous events that took place during the band's career, including Currie's abortion, bass player Jackie Smith's suicide attempt and the extent of the sexual experimentations within the group. It does, however, have interesting things to say about the band; the moment Jett and Fowley write the band's biggest hit 'Cherry Bomb' on the spot prior to Currie's audition for the group is particularly revealing, as well as the explosive reactions the band received in Japan, which Jett compared to 'Beatlemania'. 'The Runaways' is a solid biopic lifted by all-round superb performances and a coming-of-age story constantly tinged with sadness at the loss of youth and innocence.
3.5/5

'Rock 'n' roll is a blood sport, a sport of men. It's for the people in the dark, the death cats, the masturbators, the outcasts who have no voice, no way of saying I hate this world, my father's a faggot, fuck you, fuck authority - I want an orgasm! Now, growl! Moan! This ain't women's lib, kiddies - the is women's libido! I wanna see the scratch marks down their fucking backs! Now, do it again. Again. Like your boyfriend just fucked your sister in your parent's bed. LIKE YOU WANT A FUCKING ORGASM!'